![]() The adhesive on the double-sided adhesive is very strong, so it is great for using glitter on a variety of projects. You can brush the glitter or powder that doesn’t stick to the design right back into the jar. Liberally apply glitter (or flocking powder) to cover the adhesive design.ĩ. Remove the white liner and make sure that all the adhesive transfers cleanly.Ĩ. Be careful because the double-sided adhesive forms a very strong bond and should only be used for permanent applications.ħ. Carefully place the design into position with the white liner facing up and press into place. Make sure not to remove any adhesive from the white liner.Ħ. Remove the yellow liner from the back of the design. Make sure that all excess internal adhesive pieces are weeded out.ĥ. Remove your project from the cutting mat. Adjust the blade as indicated (unless you use an AutoBlade) and click “Send.”Ĥ. In the Send panel, select “Double-sided Adhesive” as your media. Position a double-sided adhesive sheet onto your cutting mat with the white side up and feed it into the Silhouette.ģ. Open the designs in Silhouette Studio®.Ģ. Silhouette Double-sided Adhesive Sheetsġ.Silhouette CAMEO®, Silhouette Portrait®, or Silhouette Curio™.In the tutorial below, we’ll show you just how easy it is to cut your design and add glitter, embossing powder, or flocking powder to make the design stand out. ![]() Glossy – emphasizes and adds reflections and light returns in addition to the paper’s regular gloss.If you love to add embellishments to your paper crafts, then one product that you need to know about is the double-sided adhesive sheets. Satin – preserves the natural luster of the print paper. Matt – no reflections, the film is assimilated into the print. There are three options of laminating finishes: Matte, Satin and Glossy. The UV filters inside the film helps to delay the natural fading of the colors caused by prolonged exposure to natural or artificial light. the lamination best suites for prints that are framed without any glass. ![]() in this technique the work is protected by a thin layer of plastic lamination film that protects the print from scratches, dust and grease stains. In addition to the various surfaces you can mount your work on, we also offer the option to laminate your prints. In addition, the print is also distanced from the wall (1 or 2 cm) by an aluminium back frame that is attached to the back of the dibond. This finishing option is appropriate for customers who don’t want to frame their work in a traditional way and also allows the work to be displayed by itself and without anything closing or holding it. The back layer ,which is made from Dibond, keeps the print from any harm. in this method the print is located between two rigid layers – the front layer is made from a transparent Acrylic (matte or glossy) that highlights the clarity of the colors and details. The kapa is manufactured in Germany and comes with a double sided adhesive tape in three sizes – 10 mm, 5 mm or 3 mm.Ī technique that protects the print from both sides without the need for framing. The kapa fix is especially hard and is being supported by a very thin aluminum layer which makes the surface smooth and doesn’t allow him to bend in the future. ![]() The double-sided adhesive sheet (500) includes first, second, third and fourth peel sheets (510,520,530,540), and a sheet body 501. Kapa Fix (high level of archival preservation) Europe PMC is an archive of life sciences journal literature. This glue does not contain any toxins that might hurt the print in the future. Upon the dibond surface which is 3 mm (or 4 mm) thick, We lay an acid-free adhesive tape manufactured in Germany (Neschen Gudy 831) and approved by the IPI – image Performance Test. The surface is made from two layers of aluminum and a black polyethylene layer in between. The mountings are made mainly on two types of materials:ĭibond / ACM (maximum level of archival preservation) We mount the prints to hard surfaces in order to float them from the wall or as a another step in the framing process.
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